La performatividad rizomática sonoesférica: diseño experimental y consecuencias pedagógicas

Abstract

This article presents a hypothetical design called rhizomatic sonosphere, defined as a space to question the contemporary state of the primordial consistencies of of social and ecological interdependence. This design is the result of an experimental methodological understanding of the rhizome (Deleuze y Guattari, 2004) as a process and also as a product (Sellers, 2015) with the ability to unfold complexity again and constitutes a preliminary advance of a research process based on the artistic practice of performativity in sonoespheric conditions (Andrade-Córdova, 2015), which investigates systematizations of its multiple consistencies for the re-expansion of poetic, ethical and political strategies in the creation of a new artistic work. To arrive at the aforementioned result, a methodological proposal of two phases has been applied: artist’s notebook and analytical reflection (Tambutti, 2017), on three previous experiences of creation, which survive rhizomatically in the author’s own artist’s notebook, recovered by autoethnographic research mechanisms.